Specification
Focal length 10-20mm
Aperture f/4-5.6
Angle of view 102.4-63.8°
Filter size/type 77mm
Construction Elements/groups 14 elements in 10 groups
Focusing type Internal HSM
Closest focus 0.24m
Weight 0.470kg
Dimensions (Dia x length) 83.5x81mm
Mounts available Sigma, Canon, Nikon(D)
Tripod bush No
Price (SRP) £369.99
Build and handlingThis lens is designated to, and joins Sigma’s EX range. It therefore comes with the three year UK warranty and is shipped with a lens hood in a zip-topped pouch of the type that now sports a belt loop. The finish is the hardy matt black that we've praised before. Canon and Sigma mounts sport the usual AF/MF switch while the Nikon hasn't. Both are straight in front of the mount. The remainder of the barrel is split approximately into thirds, the first and last third being occupied by zoom ring and focus ring. The zoom ring is marked at 10, 12,14, 17 and 20mm. Zooming extends the lens length by barely 5mm, so a zoom lock would be fairly superfluous!
Focus is achieved with a silent HSM motor, which does not have to move the elements very far, and therefore is almost instant. The front element does not rotate during use, making filters easy to use.
Sigma have done a good job here, with the lens sporting a 77mm filter thread, not a huge size for an optic this wide. And the front element does not protrude, so that close fitting filters can be used.
We tried a Cokin Z-Pro system on the lens and found that, fitted normally, there was no vignetting if the holder was oriented in the same way as the hood is fitted. However, it did vignette at 10mm with the holder in a normal position when taking landscape shots. (Disappears between 11 and 12mm) With the holder reversed, leaving just the single slot, this problem was overcome. Sigma does state in their multi-language leaflet that only one filter should be used and thicker ones ‘may’ cause vignetting.
Optical PerformanceThis lens is sharp! At 20mm, resolution tests showed it matched, and at one point even slightly out performed the venerable Canon 17-40mm L.
At 15mm it's a little soft at the edges, although still nice in the centre, but by the time it gets down to the 10mm mark the edges have improved again. In fact, at the wide end, the overall performance was the best in the range. The lens has obviously been optimised for the shorter focal length as there was no distortion there, whereas the 20mm end did have a little pin-cushioning.
Chromatic aberrations have been very well controlled with the employment of three SLD (Special Low Dispersion) elements, one moulded aspherical and two hybrid aspherical elements. Although not completely eliminated, they did not show up significantly.
The lens is designated as a DC, meaning that it's designed exclusively for dSLR cameras with a crop factor of 1.5x or greater. However, we did try it on a Canon 1D, which has a crop factor of 1.3x and found that, without filters, it could be used from 11mm upwards without vignetting.
The lens is ideal for interior shots such as this display room, taken for a newsletter. Canon 300D, 12mm, 1/6sec at f/16
This shot would have been impossible without the width, enabling the street sign to be included. Canon 300D, 10mm, 1/640sec at f/11
Above: Another impossible shot, due to a large hedgerow around the two chapels. Although designed for APS-C sized sensors, it was still possible to use the lens on the 1.3x sensor of the Canon Canon EOS 1D although the vignetting seen here appeared at the wide end. Canon EOS 1D, lens at 10mm, exposure 1/10sec at f/11.
Right: Taken just a few paces away from the last shot, perspective is a subject all of its own! EOS 1D, 1/10sec @ f/11. 10mm
This is my latest addition and up to now I love it. Great on my Canon 10D giving great WA shots.
Copyright 2007 (ICM) Fusion
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